In Afro-Atlantic Flight Michelle D. Commander traces how post-civil rights Black American artists, intellectuals, and travelers envision literal and figurative flight back to Africa as a means by which to heal the dispossession caused by the slave trade. Through ethnographic, historical, literary, and filmic analyses, Commander shows the ways that cultural producers such as Octavia Butler, Thomas Allen Harris, and Saidiya Hartman engage with speculative thought about slavery, the spiritual realm, and Africa, thereby structuring the imaginary that propels future return flights.  She goes on to examine Black Americans’ cultural heritage tourism in and migration to Ghana; Bahia, Brazil; and various sites of slavery in the US South to interrogate the ways that a cadre of actors produces “Africa” and contests master narratives. Compellingly, these material flights do not always satisfy Black Americans’ individualistic desires for homecoming and liberation, leading Commander to focus on the revolutionary possibilities inherent in psychic speculative returns and to argue for the development of a Pan-Africanist stance that works to more effectively address the contemporary resonances of slavery that exist across the Afro-Atlantic.

There are many sorts of catastrophes, ranging from devastating fires, floods, and earthquakes to sexual violence, genocides, and wars—but this collection of feminist essays focuses upon three broad types: epidemics/pandemics, anti-Black racism, and climate breakdown. These are public catastrophes, profoundly shaped by government action and inaction. The essays reveal that it is impossible to fully understand—or challenge—the structural harms associated with public catastrophe without appreciating their personal dimension, or reckoning with the ways that power thoroughly conditions our experiences as individuals and as members of communities. The public and private are intertwined, and during catastrophes, families and communities become repositories for loss, silence, mourning, witnessing, reconstruction, and reparation. The contributors to this collection examine how public catastrophes imprint themselves on lives, and how individuals narrate, process, and grapple with legacies of loss, and how, though both attention or neglect, governments and nonprofits frequently exacerbate preexisting vulnerabilities.